- Sensemaya Silvestre Revueltas
- St Edward's University Silvestre Revueltas
- Silvestre Revueltas Biography
- Salon De Eventos La Cupula Silvestre Revueltas
Composition Highlights
| Title | Year | Avg. Duration | Genre |
|---|---|---|---|
| La Noche de los Mayas, suite for orchestra (compiled by José Limantour from the film score) | 1939 | 28:40 | |
| Sensemaya, for orchestra | 1938 | 06:23 | Orchestral |
| Homenaje a Federico García Lorca, for chamber orchestra | 1936 | 10:55 | Orchestral |
| Ranas, for voice & instrumental ensemble | 1932 | 03:32 | Vocal Music |
| Janitzio, for orchestra | 1933 | 07:02 | Orchestral |
| Ocho por radio, for chamber orchestra | 1933 | 05:10 | Orchestral |
| Redes, suite for orchestra (compiled by Erich Kleiber from the film score) | 1935 | 22:08 | Orchestral |
| Planos, for small orchestra | 1934 | 07:34 | |
| Cinco Canciones para Niños y Dos Canciones Profanas (7), song cycle for voice & chamber orchestra | 1939 | 08:58 | Vocal Music |
| Itinerarios, for orchestra | 1938 | 09:43 | Orchestral |
| La Coronela, ballet for orchestra | 1940 | 34:10 | Ballet |
| Escenas infantiles, for chamber orchestra | 1938 | 02:30 | Orchestral |
| Toccata (sin Fuga), for solo violin, 6 wind instruments & 3 perucssionists | 1933 | 03:48 | Chamber Music |
| Alcancias, for orchestra | 1932 | 10:12 | Orchestral |
| Parián, for voice, mixed chorus & chamber orchestra | 1932 | 03:09 | Choral |
| Ventanas, for orchestra | 1931 | 10:27 | Orchestral |
| Caminos, for orchestra | 1934 | 08:35 | Orchestral |
| String Quartet No. 4 ('Música de Feria') | 1932 | 09:06 | Chamber Music |
| Dos Pequeñas Piezas Serias, pieces (2) for wind quintet | 1940 | 04:22 | Chamber Music |
| String Quartet No. 2 ('Magueyes') | 1931 | 10:20 | Chamber Music |
See All CompositionsArtists Moods
Sensemaya Silvestre Revueltas
St Edward's University Silvestre Revueltas
Silvestre Revueltas Biography
Salon De Eventos La Cupula Silvestre Revueltas
Jun 17, 2010 Silvestre Revueltas left the ballet La Coronela unfinished when he died in 1940. There's a complicated story about how the version recorded here was reconstructed, explained in the valuable liner notes by Ken Smith and the conductor Gisele Ben-Dor. But it's clear that the final results are worth any amount of trouble.